High Art at Highcliffe Castle
Four friends, a background in film, a grand house in Dorset; Anna Selby previews an art…
Browsing: Art
Whitechapel Gallery: Nelson and Tuttle
Known for his atmospheric, immersive installations, renowned contemporary British artist Mike Nelson has transformed the…
Meeting with Henry Moore
Celebrated portrait photographer and film-maker, Paul Joyce, recalls a youthful narrow escape with the legendary…
Artist Interview: SEEN
Many leagues from murky subway tunnels and transport yards of New York, Bond Street’s Opera…
Heist: London’s First Anti-Gallery
I rubbed shoulders with celebrities (don’t expect me to reel them off) last week for…
Sensing Spaces: Architecture Reimagined
The Royal Academy makes a successful break from its usual formula as it invites seven contemporary architects to transform its Beaux-Arts galleries…
Daumier: Visions of Paris
As the RA’s critically-acclaimed celebration of the French visionary enters its final fortnight, Harry Chapman makes a late call to the exhibition the Evening Standard called “an aesthetic boxer’s blow to the heart”…
Peter Doig’s ‘No Foreign Lands’
“The end of painting has been much discussed over the past thirty years. On the strength of this exhibition I don’t believe we’re there yet. Far from it.” Harry Chapman takes in Peter Doig’s current show in Edinburgh…
The MacNab Challenge
“As interest gathers pace in the Royal Academy’s current ‘Australia’ show one observation seems to be that it confirms our preconceptions [about] Australian art.” Harry Lytton finds a surprising twist on art from down under in a forthcoming exhibition…
Australia at the Royal Academy of Arts
“Despite being the world’s sixth largest nation, the land Down Under has been curiously absent from art history’s hall of fame.” Estella visits the latest exhibition at the RA…
Witches & Wicked Bodies
Harry Chapman delves into the dark world of the National Galleries Scotland’s witchcraft exhibition in Edinburgh…
Lowry and the Painting of Modern Life
Lowry’s predictable style can be recognised by even the most unobservant of museum visitor; the…