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Fauré’s Requiem at St Martin-in-the-Fields
“We had a direct view of the English Chamber Choir and orchestra; the Belmont Ensemble of London, conscientiously tuning their instruments and awaiting the conductor’s signal to begin…”
“We had a direct view of the English Chamber Choir and orchestra; the Belmont Ensemble of London, conscientiously tuning their instruments and awaiting the conductor’s signal to begin…”
“Long considered a masterpiece in the ENO repertoire, the opening night of the final ever revival of Nicholas Hytner’s well-loved production of The Magic Flute was seen as many as like parting from a good friend.”
Any audience would have understandably high expectations of a concert version of the hit Broadway…
”If it weren’t so enjoyable, one might be tempted to call it opera” – so said theatre critic Brooks Atkinson re-assessing Carousel some years after its first premiere.
“With Julian Lloyd Webber on cello, it was an awe-inspiring conclusion to a programme of some of the finest English music ever produced.” Rebecca visits the LCO at Chelsea’s Cadogan Hall…
To my mind, not enough operas open with a fist fight. La Boheme – just…
“Julian Bliss is surely a case for the progressive education movement, a shining example of nature versus nuture. At the age of five he decided to pick up a clarinet of all things, and learn to play it.”
Onegin. It makes such a rich sound when you say it. Onyaygin. Even if you’re…
Matt Hutchinson reviews the English National Opera’s production of Billy Budd, and Larry talks on film to Benedict Nelson about his leading role in this turbulent opera of good versus evil…
Summer is finally upon us. How can you tell? All around the UK festival goers…
“The sweeping 2,500 acre estate means the opera can blast forth without causing disturbance to neighbours – apart from the odd fox.” Rebecca visits the glorious Garsington Opera…
“Since premiering in 2005, this highly acclaimed English National Opera Madam Butterfly production went on to win Anthony Minghella an Olivier Award and remains the only opera ever directed by him…”