Joyce DiDonato at Wigmore Hall
Sometimes it’s impossible to find words to describe music. Often it’s about what we feel,…
Sometimes it’s impossible to find words to describe music. Often it’s about what we feel,…
Titus Andronicus. Rape. Cannibalism. Extreme bloodshed. Hardly the recipe for a festive Christmas play. Add…
It’s not every Saturday that you’re set a challenge by a Cheshire Cat with attitude.…
Mascagni’s Cavalleria Rusticana and Leoncavallo’s I Pagliacci – the most famous opera double act there…
Sadler’s Wells new Christmas show is Matthew Bourne’s Cinderella. Matthew Bourne for Christmas is becoming…
As if we don’t have any worthy contemporary British playwrights to showcase, following German writer…
Standing on the platform at the Barbican tube after the RSC’s performance of Antony and…
It’s always something of a pleasure to see a production with no preconceptions ahead of…
Semiramide is the kind of opera I usually struggle with for all sorts of reasons,…
Is it a book? Is it a film? Is it an opera? Actually, it’s all…
Welsh National Opera called at Bristol Hippodrome last week; the penultimate venue on their UK…
What does one of the founding fathers of Impressionism and a nineteenth century Scottish shipping…