
The Magic Flute at the ENO
There can be little doubt as to how much London needs the ENO, surely the…
There can be little doubt as to how much London needs the ENO, surely the…
In musical theatre, there is a phenomenon known as “the 11 o’clock number”. Some musicals…
The closest I have come to holding an actual Oscar was when I was staying…
Past Lives is the astonishingly assured film debut by Korean playwright, and now director, Celine…
Back in the day when films were rated ‘U’ (child) to ‘X’ (over 16), I…
The Old Vic has a great track record in edgy musicals. Groundhog Day was an…
Director turned film critic, Paul Joyce, casts his eyes over the BAFTA-winning and Oscar-nominated Anatomy…
In contemporary dance circles, Pina Bausch is iconic, her style quite unlike any other choreographer…
When the curtain rose on Jonathan Miller’s Barber at the Coliseum this week, the lantern-lit…
It’s been a long time coming but the São Paulo Dance Company has finally made…
You might imagine that the ENO’s opening production of the season, The Handmaid’s Tale, is…