Hamlet at the RSC
23rd April marked Shakespeare’s 449th birthday, and this anniversary seemed a good opportunity to revisit…
23rd April marked Shakespeare’s 449th birthday, and this anniversary seemed a good opportunity to revisit…
“The cold wind howled through the delightfully mismatched set up of the pub, and as the characters debated the wind direction outside, more and more of the audience gathered their coats to use as blankets.”
“The V&A’s latest blockbuster exhibition pays tribute to one of the most successful British musicians of living memory by exploring Bowie’s own influences as a creative genius.”
“No artist can arrive at a signature style without a sense of progression and development and that is what this exhibition aims to show.”
“Anyone would think the ballet world had lost the plot following the recent exploits at the Bolshoi, but now Sergei Polunin – former Royal Ballet star who quit unexpectedly last January at the height of fame, a week before an opening night – has bolted from yet another production…”
“I am in a garage in Hoxton on a Tuesday night. On the walls I can see my name scrawled in white chalk alongside other names which have been crossed out. A mound of burnt-out matches lies on the floor, and cowering next to my feet is a bedraggled man shining a torch in his face.”
From hushed-up terminations to unwanted pregnancies, Ellis’s sparkle gradually fades to leave a woman terrfied of rejection and determined to self-destruct. “It’s obvious when I shot him, I intended to kill him” she announces almost boastfully.
“Everything from the mop of fringed fair hair and horn-rimmed glasses down to the thick pullover and sensible brown shoes, convinced the audience that they were privy to an intimate monologue from the great playwright himself.”
At a time when Tory politicians are considering scrapping the Human Rights Act, Rattigan’s call for integrity remains highly topical, despite having been written over 60 years ago.
“Thirty years on, the original writers have returned to show us how little Westminster has moved on.” Rebecca enjoys the onstage adaptation of Yes, Prime Minister…
“A Chorus Line is a proper musical. It has glittery top hats and everything. Yet it is unlike any other musical since it shows the ugly side of its own business…”
It was a pleasure to see that the ENO haven’t entirely turned their backs on the more traditionally staged productions, even if they do only appear to have confidence in those Jonathan Miller has had a hand in.