
Fauré’s Requiem at St Martin-in-the-Fields
“We had a direct view of the English Chamber Choir and orchestra; the Belmont Ensemble of London, conscientiously tuning their instruments and awaiting the conductor’s signal to begin…”
“We had a direct view of the English Chamber Choir and orchestra; the Belmont Ensemble of London, conscientiously tuning their instruments and awaiting the conductor’s signal to begin…”
“Long considered a masterpiece in the ENO repertoire, the opening night of the final ever revival of Nicholas Hytner’s well-loved production of The Magic Flute was seen as many as like parting from a good friend.”
‘The everyday world is shrouded. We see it dimly. Only when we love do we see the true person. The truth of a person is only visible through love. Love is not the illusion. Life is.’
Any audience would have understandably high expectations of a concert version of the hit Broadway…
”If it weren’t so enjoyable, one might be tempted to call it opera” – so said theatre critic Brooks Atkinson re-assessing Carousel some years after its first premiere.
“The bitch is dead now.” This is the final line that James Bond utters in Ian Fleming’s 1953 novel, Casino Royale, the first of the Bond series. It’s a sentence laced with anger and despair…
“With Julian Lloyd Webber on cello, it was an awe-inspiring conclusion to a programme of some of the finest English music ever produced.” Rebecca visits the LCO at Chelsea’s Cadogan Hall…
To my mind, not enough operas open with a fist fight. La Boheme – just…
“Julian Bliss is surely a case for the progressive education movement, a shining example of nature versus nuture. At the age of five he decided to pick up a clarinet of all things, and learn to play it.”
On Saturday 28 July 2012, no less than 99 tiny games will be launched, free…
So, it’s finally here. No, not the XXXth Olympiad in London, not even the cultural Olympiad that goes alongside, no. This is the Arbuturian Olympiad. A range of events in the capital that offer a meditative alternative to the mania…