
Chicago Mike’s School of Rock
“Ruuuush!” screams our guide, Chicago Mike. Rush, you see, is the surname of one of the passengers booked today on the Original London Rock Tour. Kira reports on London’s musical maze of mystery…
“Ruuuush!” screams our guide, Chicago Mike. Rush, you see, is the surname of one of the passengers booked today on the Original London Rock Tour. Kira reports on London’s musical maze of mystery…
In June 2011, in a small gallery in Notting Hill, purveyors of contemporary art, COMODAA,…
“I found myself fascinated and excited by Marley. At times it drew me close to tears. I didn’t of course, actually cry. In fact, had I cried, I would still probably say that I didn’t of course, cry.”
Drambuie returns to the banks of Loch Ness for the RockNess Festival from 8 –…
Adam Wingard’s 2010 film stands as an impressive achievement; intense performances, a restrained and understated…
Staging a production in a venue that reflects its content and themes is always something…
“A camera alone does not make a picture. To make a picture you need a…
Charlie Smith London is exhibiting Welsh-born Wendy Mayer’s first London solo show, presented by international…
Comfortably replete with Jarlsberg cheese, Vikingfjord Vodka and some wonderful Scandinavian pastries, you could be forgiven for thinking I’d forgotten I was there to review a film. But this was just the very genial introduction to a new Norwegian film hitting UK shores in April.
“Billed as ‘magic, mayhem and the original living doll’, this Birmingham Royal Ballet production of Delibes’ Coppélia is stunning and perfectly suited to the opulent surroundings of the London Coliseum.”
With David Haig nominated for a Laurence Olivier award for his awe-inspiring performance in The…
“Until attending Complicite’s dazzling adaptation at the Barbican, Mikhail Bulgakov’s The Master and Margarita represented something of a literary blind spot for me.” Will Hunt reports…