Charlotte Rampling: The Look
“Exposure is huge, and once you put your foot in it, and it takes off, it’s quite a beast. It’s quite devouring, because you have to find a way that you are not invaded all the time by lenses and by people looking.”
“Exposure is huge, and once you put your foot in it, and it takes off, it’s quite a beast. It’s quite devouring, because you have to find a way that you are not invaded all the time by lenses and by people looking.”
Charlotte Skeoch indulges in the Royal Ballet’s production of The Sleeping Beauty
If you weren’t lucky enough to frequent a certain type of picture house of the 60s, 70s and early 80s, you’ve lost your chance to experience the true Grindhouse effect in all its filthy glory. Until now…
Following his first Australian tour, pianist James Rhodes returned to London’s Southbank on 26th November…
If you want to watch a film about style and screen icon Marilyn Monroe’s tumultuous…
Thomas Devaux’s official title is photographer, but that doesn’t immediately spring to mind when I…
Steve Thompson reviews Martin Scorsese’s blackly comic Kafkaesque masterpiece, the 1985 film After Hours, a twisted, tormented, existential trip through the dark streets of downtown Manhattan.
The digital age has sent countless artisans back to the proverbial drawing board and into the ever expanding realm of do-it-yourself. Los Angeles-based photographer Alex Prager is one such example of this emerging trend.
The Rambert Dance Company; founded over 80 years ago and carrying with it a well-deserved reputation as one of the glittering vertebrae in the backbone of contemporary dance, the bar is set perilously high…
While many would associate the lush green and watery landscape of Richmond with cricket and boating, I, as a proud Richmond resident and lady of letters, am delighted that throughout November, literature is taking over.
L’Amour Fou (Crazy Love), not to be confused with the 1969 movie of the same name directed by Jacques Rivette, is a portrait of Yves Saint Laurent’s life with Pierre Bergé. Kate Lawson reviews.
Three female Londoners called The Lorelles say we should forget everything we mock about girl bands – and after hearing them sing, you’ll probably agree. Adjoa Wiredu meets Therese, Rosie and Lizzie.